破阵子 晏殊【共享精品-】

破阵子晏殊 燕子来时新社，梨花落后清明。池上碧苔三四点，叶底黄鹂一两声。日长飞絮轻。词的上阙 燕子来时新社梨花落后清明1.“社”，是社日。就是古代祭祖社神（即土地之神）的日子。2.“清明”，就是清明节。*古代妇女在社日和清明节时，可以停止劳作，做一些斗草、踏青、荡秋千之类的游戏译为：燕子回来的时候，正赶上社日热闹的情景梨花落去后迎来的是清明节 作用*开篇用两个对称的句子点出季节的特征*统领全篇*为下片人物的出场和“斗草”作了铺垫 池上碧苔三四点叶底黄鹂一两声日长飞絮轻*碧苔：碧绿的苔藓。译为:池塘里有几点碧绿的苔藓树叶下几只黄鹂在声声歌唱白天在逐渐变长柳絮在无声的翻飞,分外轻盈 作用三四两句从两个方面描写了清明的景色视觉:池上碧苔三四点听觉:叶底黄鹂一两声总结上片上片写景,为下片人物的出场作了必要铺垫 巧笑东邻女伴，采香径里相逢。疑怪昨宵春梦好，原是今朝斗草赢，笑从双脸生。词的下阙 巧笑东邻女伴采香径里相逢译为忽然听见东邻女伴银玲般的笑声*巧笑：在古诗中主要是用来描绘妇女美丽的笑容，此处指笑声。为什么只听见笑声而看不见身影那是因为是在采花的幽径里相逢 疑怪昨宵春梦好原是今朝斗草赢笑从双脸生译为疑惑是昨晚坐了一个好梦原来是今天早上"斗草"赢了呀两个人都绽开了笑容这里的笑和前边的笑有所不同这里指"笑容"而前边指笑声 下片总结下片写景,但先出场的却是女子的"巧笑".正所谓"声未道人先到".再由此引出为什么看不见人的疑问.原来是因为女子在"采香径"里引出了在采香径里的一段俏皮活泼的对话.写出了天真无邪的少女的内心活动人物出场:笑从双脸生 这首词写的是古代少女的生活片段,反映出少女充满青春活力的精神面貌,笔触细腻,格调清新.与前首《蝶恋花》迥然不同。上片写景，下片写人。不仅描绘了初春大自然的美丽景象，还刻画出了少女的音容笑貌。所以这首词不仅是一幅独具特色的田园风景画，还是一幅与古代劳动妇女生活有关的地方风俗画。 刻画女子的词(晏殊)《渔家傲》(采莲女)赵女采莲江北岸，轻桡短棹随风便。人貌与花相斗艳。流水慢，时时照影看妆面。莲叶层层张绿伞，莲房个个垂金盏。一把藕丝牵不断。红日晚，回头欲去心撩乱。《山亭柳》(歌女)家住西秦，赌博艺随身。花柳上，斗尖新。偶学念奴声调，有时高遏行云。蜀锦缠头无数，不负辛勤。数年来往咸京道，残杯冷炙谩销魂。衷肠事，托何人？若有知音见采，不辞遍唱《阳春》。一曲当筵落泪，重掩罗巾。 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