人教版语文必修2《涉江采芙蓉》ppt课件3
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人教版语文必修2《涉江采芙蓉》ppt课件3

ID:577679

大小:2.33 MB

页数:60页

时间:2021-03-13

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涉江采芙蓉 汉代 无名作家 的作品合称 五言诗成熟期的代表作 被誉为“ 五言之冠冕 ” 以 平浅质朴 的文字展深情 南朝 萧统 合收于 《 文选 》 中 4 1 2 3 古诗十九首 涉江采芙蓉 《 古诗十九首 》 涉江采芙蓉, 兰泽多芳草。 采之欲 遗 谁? 所思在远道。 还顾望旧乡, 长路漫浩浩。 同心而离居, 忧伤以终老。 诗歌鉴赏品味 中国人民很早对于自然就有很深的爱好,对自然的爱与对人的爱往往紧密地联系在一起。古代人送给最亲爱的人的礼物往往不是什么金银珠宝,而是一株花或是一棵芳草,送别时总是折一枝柳条送给远行的人,远行的人为了表示对好朋友的思念,逢到驿使就托带一枝梅花给他。这种生活情调是简朴的,也是美好的。正如王维的 《 相思 》 所写:“红豆生南国,春来发几枝。愿君多采撷,此物最相思。”采花折柳,这正是古人传情达意的方式,一方面是传达了对亲朋的关怀、思念等感情,另一方面又寄托了对亲朋的美好祝愿。 1、诗歌中的抒情主人公表达感情的方式是什么? 其目的是什么? (提示:方式是试图采摘芙蓉,目的是“遗”远方的“同心”者) 明确:这是环境描写,意在从侧面烘托主 人公形象的雅洁和所表达感情的纯洁和美好。 3、三、四句一问一答,在诗歌中具有怎样的 表达作用? 2、 诗歌描写“多芳草”的“兰泽”有什么 艺术作用? 明确: 诗歌讲究“起、承、转、合”,这两句在结构上是暗转过渡,为表现主人公的情绪由欢欣洋溢转变为下面的黯然销魂作铺垫。 4、诗人真是看到芙蓉芳草才想到“所思在远道”的吗?如果不是,诗人为什么要这样写? 提示:“所思”是时时刻刻在他心头的,“涉江采芙蓉”也是为了她,如果诗首就开门见山地把她表出,诗就平淡无味了。这句话是全诗发展的顶点,顶点同时也是转折点,一方面替上文的发展暂时作一结束,一方面为下文的发展作一伏线,所以照例是要摆在中间的。 5、五、六句的“还顾”、“漫浩浩”具有怎样的表达作用? “还顾”一词,动作性和画面感很强,可以清晰地表现了主人公孤独、忧愁、怅惘的形象和心情。“漫浩浩”一词是写主人公与环顾所见“旧乡”的距离,给人以路途绵延无尽的感觉。这两个词含蓄地传达了主人公极度痛苦的心情,可是,这两句并没有直接点明主人公的痛苦,这样就给读者留下了很大的想象空间,具有含蓄不尽的艺术效果。 6、最后两句除了表达主人公黯然痛苦的心情,还能体会到什么? 还能让人深切地感受到两个彼此相爱的人的真挚笃厚的感情。因爱之深才思之深,因爱之长久才有“终老”之“忧伤”。 试对这首诗的艺术特点加以概括 一是意境高洁、清幽; 二是含蓄不尽,余味悠长。 问题探究 关于 《 涉江采芙蓉 》 ,有人认为抒情主人公是男性,“涉江”者和“环顾”者都是男子,也有人认为抒情主人公是女性,“涉江”者是女子,“还顾”者则是“所思”的男子。你怎么看? Speak of the devil and he will come. 说曹操曹操到 短 歌 行 曹 操 曹 操 (155---220)沛 国谯郡人,是三国 时期杰出的政治家、 军事家和文学家, 建安文学的代表人物之一。 据考证 , 这首诗作于曹操晚年 , 大败赤壁之战后 , 当年曹操已经 53 岁了 , 年事渐高 , 面对战乱连年 , 统一中原的事业仍未完成的社会现实 , 因而忧愁幽思 , 苦闷煎熬 . 但他并不灰心 , 仍以统一天下为己任 , 决心广泛廷揽人才 , 招纳贤士致力于建功立业 . 《短歌行》创作背景 你认为本诗的情感着眼点在哪一个字? 忧 ①设问开头,破空而来,表达诗人对人生的思考。 ②运用“朝露”为喻,表达年华易失的感慨。 ③以造酒的杜康代酒,形象突出,引人联想。 第一层 :对酒当歌,人生几何?譬如朝露,去日苦多。慨当以慷,忧思难忘。何以解忧?唯有杜康。 补充:不直接说某人或某事物的名称,借同它密切相关的名称去代替,这种辞格叫借代 , 也叫“ 换名 ”。它重在事物的相关性。作用: 可以引人联想,使表达收到形象突出,特点鲜明,具体生动的效果 。 第二层:青青子衿,悠悠我心。但为君故,沉吟至今。呦呦鹿鸣,食野之苹。我有嘉宾,鼓瑟吹笙。 运用典故 : 语出 《 诗经 . 郑风 . 子衿 》, 原文为 :“ 青青子衿,悠悠我心 ,纵我不往,子宁不嗣音?”这原是一首情诗 , 诗句的大意 : 情人青色的衣衿 , 令我情思悠长 . 纵然我没有去你那里 , 难道你就不能和我保持联系 ? “呦呦鹿鸣,食野之苹。我有嘉宾,鼓瑟吹笙。”原是周代宴请宾客的诗句。写求贤既得,故尽礼娱宾。这里用以表达 对贤才的礼遇 。 求贤不得,故反复沉吟 . 第三层:明明如月,何时可掇?忧从中来,不可断绝。越陌度阡,枉用相存。 比喻 将贤才喻为明月,恰如其分地表达渴望贤才来归的心意。 而在这还没有实现的情况下,才“忧从中来,不可断绝”。这四句诗仍是写“忧”,从情感上照应第一节。“越陌度阡”四句句意呼应第二节,仍是想象贤才归已时的欢快场面。 第四层:月明星稀,乌鹊南飞。绕树三匝,何枝可依?山不厌高,海不厌深。周公吐哺,天下归心。 ①以“乌鹊”无 枝可依类比在三国鼎立的局面下,有些人才犹豫不决,彷徨不知何去何从。表达出对人才的渴望。 ②后四句用典说明自己渴望多纳贤才 ,殷勤地接待贤才。表达作者胸怀大志,一统天下的愿望。 “山不厌高,海不厌深。”借用 《 管子 . 形势解 》 之语,诗意比喻执政者能宽宏大量,广纳贤才。 这里暗喻曹操自己像山一样不厌其多容纳土壤,像水一样不厌其大而容纳众水,表明要宽宏大量,广纳人才。 合作探究,感受诗句 四节诗歌的主要内容:  第一层:时光易逝  人生苦短  第二层:渴望贤才  礼遇嘉宾  第三层:渴盼人才  忧思难解  第四层:虚心纳士  竭尽诚心 小结 全诗着眼点 全诗落脚点 作者从人生的感慨过渡到政治理想,心境由狭变阔,情绪由低沉到高昂,因此从全诗高度来看,这也是一种 先抑后扬 的写法。 忧 ( 功业、人才 ) 志 ( 一统天下 )  探究综合,迁移评价 1 .也就是这建安十三年,曹操率大军南下,列阵长江,想一举消灭孙权和刘备的势力。赤壁大战前夕,酒宴众文武,喝酒到半夜,忽然听到乌鸦声往南飞鸣而去,曹操感此景而持长槊唱  《 短歌行 》 。 2 .在 《 三国演义 》 中的曹操是个奸雄的形象,如曹操借刀杀杨修等,曹操的名言就是“宁教我负天下人,天下人不可负我”。所以后人觉得曹操是“治世之能臣,乱世之奸雄”,京剧中曹操的白脸形象(在戏剧中白脸代表坏人),曹操是一个奸诈、阴险、嫉妒的人。 3 .面对这截然不同的评价,你是如何有什么看法?请以“曹公,我想对你说 ……” 为题写一段真情告白,字数 100 字左右,写得比较有激情。 参考: 曹公,人说你是治世之能臣也好,还是乱世之奸雄也罢,历史自有公论。你是一个才华横溢的诗人,你登高必赋,且多慷慨悲凉之句。景仰你,是因为你有一位英雄主义者的豪情壮志;敬佩你,更是因为你是人生的斗士。“一万年太久,只争朝夕”,吟诵你的诗句,磨砺着我万千豪情 。 归 园 田 居 陶 渊 明 了解几个问题 1 、从何而归; 2 、为何而归; 3 、归向何处; 4 、归去如何。 陶渊明 1 、从何而归? 明确:官场。 诗人将官场说成 “尘网”、“樊笼”。 对官场生活的厌恶。 2 、为何而归? ( 1 )本性爱田园。 ( 2 )由于官场的黑暗,无自由,无法实现抱负, 作者归隐田园为独善其身。 联系作者、背景 作者 陶渊明,东晋时期文学家。名潜,字元亮。陶渊明出身于没落的仕宦家庭。由于儒道思想的矛盾性,时官时隐,举棋不定。 41 岁以后,陶渊明因时局动荡,仕途险恶,以及官场政治腐败,门阀制度森严,而对现实极端不满,毅然辞官归隐,与官场彻底决裂。 思考:如何理解“羁鸟恋旧林,池鱼思故渊。”? 明确:“羁鸟”是笼中的鸟;“池鱼”是池塘中的鱼。这二者的特点是失去自由,失去最适合它们生活的环境,只会觉得痛苦。也暗示作者在官场就如同“羁鸟”、“池鱼”一般,失去自由。说明作者身在海,宦而心系田园的心情,以唤起人们对自由的向往。 3 、归向何处? 明确:园田。 4 、找出描写田园生活情景的句子?用自己的话描述。 例如: “榆柳荫后檐,桃李罗堂前。暧暧远人村,依依墟里烟。狗吠深巷中,鸡鸣桑树颠。” (参考:屋后榆柳树影婆娑,浓阴覆地,习习清风平息心中焦虑。眼前桃李芬芳,弄姿堂前,唤起心中欢欣。极目远眺,炊烟融入暮霭,侧耳谛听,依稀听得犬吠鸡鸣。) 4 、归去如何? 明确:“户庭无尘杂,虚室有余闲。”有“无丝竹之乱耳,无案牍之劳神”之感。作者是在写自己宁静、闲适的生活状态,和那种轻松、平和、喜悦之情。 归 恋 厌 弃 田园 : 土地 草屋 榆柳 桃李 村庄 烟 狗 鸡 官场: 尘网 樊笼 幽雅恬适 归 园 田 居 总结 诗人从自己的本性出发,写自己热爱田园,之后写到田园美,然后表达了自己愉快、舒畅的心情,对归返田园生活做了总结和赞美,同时也对官场做了否定。 由于文人的这种特殊情节,所以陶渊明在与官场决裂的时候定是做了很强的思想斗争,做出这样的选择也是不容易的。虽然他在田园中找到了一份宁静和快乐,但其内心必有一丝酸涩。 讨论 陶渊明的归隐,是否可行?在当今时代是否可以提倡? 再见 Hot Tip How do I incorporate my logo to a slide that will apply to all the other slides? On the [View] menu, point to [Master], and then click [Slide Master] or [Notes Master]. 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